The 2019 CNFC conference is taking place June 14 to 16 in Vancouver at UBC’s Point Grey Campus.
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Check out the program details below.
Get Real: The Art of Writing with Humour
Can humour be taught? Join us as Dina Del Bucchia, host of Can’t Lit, Artistic Director of The Real Vancouver Writers’ Series, and UBC Creative Writing instructor, reveals how using humour allows us to write more honestly and with greater sharpness.
The Art of the Interview
Whether you are a journalist, podcaster, creative writer, or blogger, great interviews make great stories. So how do you get the interview? And once you’ve got it, how do you get the most from it?
Denise Ryan will cover how to establish intimacy, overcome hostile or intimidating subjects, work in traumatic and ethically challenging situations, get past scripted answers, build an arsenal of techniques, and craft story-based lines of inquiry. The master class will also engage in some dynamic question and answer sessions.
Compelling Science Writing
Alanna Mitchell, journalist, playwright, and author of Sea Sick: The Global Ocean in Crisis, discusses how she approaches complex scientific writing and presents her research in a way that makes them compelling and accessible.
The Living Story
Master storytellers Dr. Jerry Haigh and Danica Lorer share what they know about the power of letting go of the written page in giving presentations. They reveal how telling stories allows the writer to take into account time limits, themes, and the ages and literacy level of the audience.
Jerry and Danica will challenge participants to explore and share their own stories, first in a small group then in a larger group setting. They will offer tips for school presentations and book launches while building confidence.
Most of Jerry Haigh’s storytelling relates to his work as a (now retired) veterinarian, from checking a lion for pregnancy to giving an enema to a rhino, while Danica Lorer grew up listening to stories around the kitchen table and campfires.
PROFESSIONAL WRITING CONSULTATIONS
Looking for a professional evaluation of your writing? This is your chance! Send us your nonfiction writing (maximum 3000 words), and we will pair you with an experienced editor/writing teacher, who will read your pages in advance and give you 15 minutes of feedback on your writing at our conference. The cost is $50. Send us your work to firstname.lastname@example.org by April 30. For more info and to register, click here.
KEYNOTE ADDRESS: Helen Humphreys
Hear one of Canada’s most celebrated and beloved fiction writers talk about why she is moving her writing away from fiction towards hybrid and nonfiction forms of storytelling.
PANELS & WORKSHOPS:
Genre-bending: The Many Ways to Tell True Stories
We are delighted to present Helen Humphreys, Chelene Knight, Betsy Warland, and Renee Saklikar in conversation, as these four master writers discuss ways to blend genres and cross literary boundaries.
Writing My Story
Join Darrel McLeod, Cree from Territory Eight in Alberta and a former chief land claims negotiator for the federal government, as he tells the stories behind his recent Governor-General award-winning memoir, Mamaskatch.
Writing to Heal and Recover
Kara Stanley, author of Fallen: A Trauma, A Marriage and the Transformative Power of Music, and her musician husband Simon Paradis present a joint reading/musical performance, followed with discussion as they explore the connection between trauma, the power of writing and its ability to heal.
In My Head and Onto the Page: Writing About and Through Mental Illness
Join Judy Rebick, one of Canada’s best-known women’s rights advocates and author of Heroes in My Head, and Alicia Elliott, Tuscarora writer, recipient of the RBC Taylor Emerging Writer Prize for 2018, and author of A Mind Spread Out on the Ground, as they share their personal accounts of writing about mental illness.
Writing Our Journey of Reconciliation
Monique Gray Smith, of Cree, Lakota and Scottish ancestry, and author of Speaking Our Truth: A Journey of Reconciliation, reveals how education, awareness and understanding can lead to repairing and healing the fractured relationships caused by our past history. As one young person she interviewed said, “awareness creates healing.”
Writing Intimate Crime and Violence
Renee Saklikar, author of children of air india, un/authorized exhibits and interjections, and Carys Cragg, author of Dead Reckoning, How I Came to Meet the Man Who Murdered My Father, reveal what influenced their decisions to write about the violence and crime that directly impacted them and their families and the long-term effects they have had.
No Words: The Rebellious Act of Writing the Stories Not Told
Lesley Buxton, author of One Strong Girl and winner of the 2018 Pottersfield Prize for Creative Nonfiction, explores how in memoir there are two protagonists — the past and the present selves — and how we can use the distance between them to reveal and write our most challenging stories.
Welcome to all members, new and returning. Come meet other conference registrants and listen to readings by student creative nonfiction writers.
Join celebrated writers Elizabeth Hay, author of All Things Consoled, and David Chariandy, author of I’ve Been Meaning to Tell You, A Letter to my Daughter, as they come together and talk candidly about the issues they confronted when writing intimately about family.
PERFORMANCE: Sea Sick: The Global Ocean in Crisis
Presented in partnership with the Chan Centre for the Performing Arts
Sea Sick is Alanna Mitchell’s critically-acclaimed and Dora-nominated theatre production about the state of the global ocean and the world. Come and experience this powerful story in which Mitchell uses science and her own delicate wit to tell us about her journey to the bottom of the ocean, the demons she discovered there, and her hope for the future. The performance will be followed by a talk-back session with Mitchell.
“So, I’m a science journalist and one of the most exciting things I’ve ever done was research a book on how we’re altering the chemistry of the global ocean. Sounds a bit dull, right? But it was a tale of grand adventure and marvellous discovery with a good dollop of humour, peopled with some of the most fascinating scientists in the world.” – Alanna Mitchell
For those registered for the conference, your ticket to the play is included. Members of the public wishing to purchase a ticket may do so for $36 ($20 with student ID) from the Chan Centre for the Performing Arts.
PERFORMANCE: The Shoe Project
The Shoe Project is a writing and performance workshop where immigrant women tell the stories of their arrival in Canada – through a pair of shoes. They are coached by veteran Canadian writers and theatre professionals. Shoes accompany us on all our journeys. They say who we are, where we came from, and where we are going. Writing their shoe memoirs gives members a voice and helps them be heard in the Canadian mainstream.
Now in its sixth year, The Shoe Project was created by novelist Katherine Govier and incubated at the Bata Shoe Museum in Toronto.
“I have never imagined I could be standing in front of an audience sharing a personal story in English. The Shoe Project has been the most empowering experience in my life.” – Natalia, participant from Uruguay
Plus: Banquet, literary cabaret, announcement of the 2019 CNFC/Humber Literary Review writing contest, wrap-up party, and the CNFC annual general meeting.
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